ニコールキッドマン:北マンへの死ぬから死ぬ

Is Nicole Kidman the bravest actress of her generation? Arguably, yes. That might sound a bit hyperbolic, considering some of her contemporaries include mighty actresses like Viola Davis, Cate Blanchett, Laura Linney, and Olivia Colman. However, there’s something about Kidman that makes her unique among the best of the best. No actress can quite do what she does, including starring in costume pictures, superhero films, bizarre indie movies, highly stylized television dramas, and even an oddly beloved ad for AMC Theaters.

コンテンツ

  • The ultimate risk-taker
  • Queen of chaos
  • A champion of television
  • No signs of stopping

It’s not just her seemingly perfect face — that appears to be sculpted by either a higher power, genetics, or highly skilled mortal doctors – or her undeniable talent, which took her from Australian television to the height of Hollywood success. No, Nicole Kidman’s biggest asset is her unflinching bravery, a sense of courage that endows her résumé with a level of acclaim and diversity that few other actresses match.

Nicole Kidman Starring in

The ultimate risk-taker

Throughout her career, Kidman has used her considerable pull to be as curious as possible. Even at the height of her fame, circa 2005, right after claiming the Best Actress Oscar for The Hours, Kidman used her goodwill to push the boundaries Hollywood imposed on its leading ladies. Films like Dogville and Birth cemented her as the rare star who was more interested in honing her craft than achieving mainstream success. Both films were difficult sells, surreal stories that actively challenged audiences to look beyond the images on the screen. Birth and Dogville stand out because they perfectly represent the type of film that Kidman has become closely associated with: Highly emotional and introspective stories that allow her to display a wide range of emotions in challenging and sometimes unsympathetic roles.

Therein lies the difference between Kidman and other Hollywood icons. Whereas so-called movie stars rose to prominence thanks to their many box office hits, Nicole Kidman became a legend despite her lack of blockbusters. Sure, Batman Forever made her a household name, but To Die For made her an actress worthy of in-depth consideration. Moulin Rouge! made her a leading lady, while Eyes Wide Shut turned her into a screen icon who could sell the most difficult material with a sly smile. Kidman is a movie star by merit, not beauty or success, although she has both to spare. She saves the traditional star persona — perfect hair, perfect smile, gorgeous gowns, intense stares — for her many brand ambassador deals, magazine covers, and red carpet appearances. On the screen, however, she’s never content with being only a star — Nicole Kidman always wants to be more.

This willingness to explore often leads to uneven movies. Indeed, some of Kidman’s most interesting work — The Portrait of a Lady, Birth, Margot at the Wedding, The Paperboy, Destroyer — comes in divisive films that received a mixed reception from critics and audiences. Yet, she remains the best part of these projects, often carrying them entirely with a skill that seems effortless on screen. Kidman plays supporting roles just as often as she portrays leads, eliminating any egotism from the equation. Many of the most lauded performances — Stoker, Lion, The Killing of a Sacred Deer, Boy Erased, and most recently, The Northman — come from supporting turns that take her away from the spotlight, allowing her to disappear into her roles.

Queen of chaos

There’s a certain lack of vanity in Kidman’s choices, to the point where her filmography looks like a wide and somewhat chaotic canvas of many colors, with no particular order or sequence. One second she’s playing the lead in the appalling Grace of Monaco, and the next, she’s delivering a once-in-a-lifetime performance in Hemingway & Gellhorn; one year, she’s got a kooky wig and makeup for How to Talk to Girls at Parties and the next, she’s totally de-glammed for Destroyer. Kidman easily transitions from small art-house films like The Killing of a Sacred Deer to heavy CGI movies like Aquaman, her biggest blockbuster by far.

Kidman possesses a malleability that many would kill to have. She’s as comfortable in the wilderness of The Northman as she is in the fantastical world of The Golden Compass. Kidman can play a suburban mother grieving over her son’s death in Rabbit Hole as easily as she can bring to life a determined 1930s English aristocrat in Baz Luhrmann’s underrated epic drama Australia. Kidman understands this, using it to her advantage to jump from time to time, never content with only one lane. She’s an actress who wants it all and isn’t afraid to show it.

視聴者は、キッズマンのフィルモグラフィーからの凝集性を期待していません。映画の恋人たちは、彼女が自分のドラムのビートを行進することを理解するようになりました。確かに、彼女がSofia Coppolaのような南ゴシックスリラーのように現れることは理にかなっています。大部分、大小、子供たちがそれをすべて与えることに関係なく、スクリーンプレイが持っているかもしれない問題を克服します。それが_strangerland_または_The Family Fang_のような鋭いコメディのような傍観的なメロドラマであるかどうか、kidmanはしばしば際立っています。映画が悪いならば、彼女はそれを救う。平均的な場合、彼女はそれを上げます。そしてそれが良いならば、彼女はそれを素晴らしいものにします。

のチャンピオン

キッズマンの勇気はテレビに彼女を導きました。そして彼女がした繁栄しました。近年の子供の最も強い仕事のほとんどはテレビから来ています。彼女の戴冠的な成果、_big littleは、彼女を最も生の脆弱で脆弱にしています。しかし、Trailblazerは、Celesteの役割を伸ばして、感情や外傷の層を獲得し、微妙な脆弱性の微妙な描写を軽減しています。

彼女の飢餓のための新しい家を見つける、子供たちは自分自身のためにニッチを作り、ミニザーの女王になりました。湖の_TOPのように表示:中国のgirl_、theoingnine perfect strangers、そして最近のApple TV +アンソロジーシリーズ_RAR_は、アクティビティで轟音をかけている部屋の最も大きい声の1つであると考えられる力として彼女を確認する。現在のテレビの気候は競争力があり、NetflixとHBOは品質と量の料金を率いています。冗談を言って、このプロは、これらの乱流水をナビゲートする方法を知っていて、それぞれのスタジオにチャンスを与えます。

彼女の番組への重要な対応が混在していますが、Nicole Kidmanにとって他に何が新しいか?彼女は彼女自身がショービジネスの永続的な部分を証明し、彼女のプロジェクトの部門の収容を妨げました。ハリウッドとオーディエンスは、それを披露するプロジェクトが常に最善ではない場合でも、ニコールキッドマンの勇気を必要としています。

停止の兆候はありません

今でも、映画デビューの約F40年後に、児童マンは止められず、驚くべき観客は彼女の強さと汎用性を持つ驚くべき観客です。今年、キッドマンはまだ彼女の最も戒めのある公演のうちの1つでスクリーンを握った、Robert eggersのBrutal Revenge Tale、The Northman。子供たちは映画自体のように冷酷なもので、かなりのガストで物語の野蛮人に沈んでいます。それは彼女の最も最近の役割からの素晴らしい出発で、アーロンソルコンのルツィルボール_ ricardos_、そして子供たちの多目的な演技力の完璧な思い出させるものです。培地のみになるのは、「暗く漫画のフェミニストの寓話」のコレクションとして説明されているApple TV + Anthology _RAR_のエピソードのテレビシリーズに戻っています。彼女の忘れられた若者を思い出すために子供として自分自身の古い写真を食べる女性として、キッズマンは素材から飛び越えていない深く献身的なパフォーマンスでそれを応援することによって不条理な前提作業を行います。つまり、驚くべきことではありません。

プロジェクトが何であれ、Nicole Kidmanは保証視聴者に最も近いものです。未解決の、リセントレス、興味があり、そしてすべての勇敢な、子供たちはハリウッドの最大の才能の1つ、比類のないスキルとパフォーマンスの強さの女優です。彼女のプロジェクトを愛するか嫌い、一つのことは確かです:Nicole Kidmanがリスクを決して服用しないと言うことはできません。

コメント